The Image and the Individual: Hunger and Pain in the Making of the “Conscientious” Bengali Artist

The Image and the Individual: Hunger and Pain in the Making of the “Conscientious” Bengali Artist

Bergman, in his evocative essay titled “Film making”, gives a cinematic account of his childhood in his grandmother’s apartment in Uppsala, where he would sit under the large dining-room table, “listening” to the sunshine that filtered in through the gigantic windows. On the wall hung a large picture of Venice, and “as the sunlight moved…